![]() ![]() ![]() Wire’s built-in video mixer works similar to the layers you know from Arena and Avenue. Features Easy and clear interface Supports all industry standards for framerates Use custom offset, anywhere from a millisecond to hours Uses big clock for reference Detailed waveform that shows low and high in the track Easy seek and skip in the timeline Perfect tool for rehearsing timecode shows. ![]() Load images and videos inside a Wire patch to do masking and compositing. Wire them up to create effects impossible to build in Arena & Avenue and create exactly the look you want. Almost all video effects that come with Arena and Avenue are included. Wire lets you chain together combinations of effects and do advanced video compositing. Expose the parameters you need to play the patch with Arena or Avenue and keep your live performance interface simple and clean. Do as much intricate patching in Wire as you like. Wire lets you create sources, effects and mixers to use in Arena & Avenue. This enables the DJ to link the DJ setup to his favorite producing software. Ableton Link Sync your BPM spotless with application like Resolume or Ableton Live. SMPTE LTC 25 FPS & 30 FPS Choose between SMPTE 25 FPS (Europe) or SMPTE 30 FPS (USA). With Wire we’re flattening the learning curve of patching. Output SMPTE LTC to Resolume, GrandMA2, HOG, PYRO and many more. It also includes documentation for each node, many example patches, in-depth articles, and video tutorials. Our built-in suggestion system shows you which nodes can be connected to other nodes. If you’re new to patching, Wire is a great app to start exploring. But Wire is a friendly patching environment that is easy to learn. With great power comes… a learning curve. I want to spend more time on Resolume and the VJing side of my stream, but for now this will do and will offer sufficient variety.Wire is a modular node-based patching environment to create effects, mixers and video generators for Arena & Avenue. So far I’m happy with the autopilot setup I’ve got. So if one layer is boring or I want to select something specific I have some control over that without having to open the Resolume window on the PC. I have additionally mapped four buttons on the Behringer BCF2000 to manually skip forward and backwards each layer through the prepared layer list. So when I gradually depress and release the expression pedal, I fade in and fade out the ‘extra stuff’ layer from the scene. I run Resolume with two layers, the main layer which is usually a background of an animation, and then the ‘extra lines and bars and stuff on top’ layer. The expression pedal, I have set to control the opacity of the top layer. HEADPHONES FOR ACCURATE MONITORING OF SAMPLES AND BEATS BEFORE AND WHILE. This will allow me to set it on autopilot through most of the set and then focus on one visual when I want to do some more involved stuff. EDIROL PCR - 1 MIDI KEYBOARD TO TRIGGER LOOPS AND SAMPLES FROM VJAMM / RESOLUME 11. The first one, the sustain on/off switch pedal, I have mapped to control whether Resolume is running in autopilot mode or just looping the current visual. I also have attached two pedals to the BCF2000. I use the sliders to control the 8 dashboard visual FX controls on Resolume. I have replaced it with the even older but classic Behringer BCF2000. I have retired the Novation SL Zero Mk1 MIDI controller that was causing me a lot of grief when I was running Resolume and Ableton Live at the same time, as its Automap functionality was locking on to the Ableton Live mixer in session view now and then, and so, sometimes, when I thought I was controlling Resolumes visual FX, I was actually changing the volume faders in my DJ mix. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |